What I thought about: Emily in Paris

A charming comedy romance with breathtaking views of Paris, I was really enjoying this one up until its somewhat chaotic end, whereupon it suddenly felt, well, a bit of a sausage fest. I hope a second season, if there is one, focuses more on Emily’s marketing prowess.

Of course her phone case looks like a camera. It’s so _ringarde_!

What’s it about?
Emily is a young but successful marketing executive from Chicago. The company she works for recently acquired a boutique marketing agency in Paris – Savoir – which her senior colleague was due to be seconded to. Said colleague falls pregnant and Emily, who doesn’t speak a word of French, offers to go in her place.

When she arrives in Paris, she’s treated to quite the culture – and language – shock. Receiving a less than friendly welcome from her boss and metaphorical dinosaur of the marketing industry, Emily tries her best to remain upbeat by pulling off a number of successful marketing stunts and blogging her journey on Instagram, where she quickly racks up a decent following.

Being so good(looking) at her job does grab the attention of a number of male clients, including a perfumer, fashion house boss, and vineyard heir. Here’s the chick flick element – Emily has to carefully navigate the sex-infested waters of Paris to figure out her true love.

What do I like about it?
Emily is a well-written character portrayed fantastically well by Lily Collins. She is resourceful, smart, quick-thinking, and career-driven. I felt inspired watching this, and I’m a male lawyer. I can’t imagine what it might do for those more closely aligned to Emily and her career path. Also, the wardrobe department pulled off some simply amazing looks. Emily is a fashion icon in her own right.

Seeing Emily settle into Parisian life, struggling at first but slowly improving her language and grasp of the culture, was a joy to watch and included several genuinely laugh-out-loud funny moments. The show’s gotten flack for stereotyping the French, but I’d have thought the majority-French cast would have pointed out if the writers were being too cruel.

And if you’re wondering, the male love interests are, to borrow a word from a friend who’s also seen the show, ‘fit’. Make of that what you will.

What do I not like about it?
Emily’s skill and endless optimism gets somewhat sidelined in the second half of the season and relationships become increasingly complicated. This culminates in a final episode that literally felt as though she was being passed around by the male love interests. It’s hard to explain, but it was quite off-putting.

Worth a watch?
It’s not a must-see, but if the premise sings to you, sit back and take in the 4K views of Paris as the story unfolds.

By the way…

  • I found it funny that Emily’s American boyfriend is literally subtitled as ‘Boyfriend’. They didn’t even give him a name!
  • I alluded to it above but I can’t stress enough – the scenes were so brilliantly shot. Try and watch in Dolby Vision if you can.

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Quickfire round: Loaded

Four life-long friends become millionaires overnight as the closing money comes in from the sale of their gaming business. Unable to handle their new found wealth, and facing pressure from their new US mega-corp owners to make a soulless sequel of their hit game Cat Factory, hilarity (and woe) ensues.

Leon coaxes the group onto his privet yacht to get them to concentrate on their new game

This show was cancelled in 2017 after one season and, if you check the cast’s biographies online, it’s hardly mentioned as one of their top appearances. I can’t think why, as I really enjoyed it. Don’t be mistaken – it’s nothing like Mythic Quest, which sees day to day game development issues and is surprisingly good insight into the industry. The actual game development process takes a back seat in this show and instead we see how the four characters handle their wealth and relationships with family, friends, their new boss and, ultimately, each other.

There’s Ewan, a posh, gay programmer whom most people don’t know is a co-founder at the developer, Idyl Hands, because he’s always asked not to appear in photo shoots by Leon, who technically doesn’t do any work as he’s not a coder or an artist, but more a product evangelist. Watto, a recovering alcoholic and artist, appears perhaps least deserving of the £9.2 million each co-founder received in the deal (plus £26m in stock options). Finally there’s Josh, a nervous, nagging, woke guy who is obsessive and jealous about his girlfriend.

They each handle the money differently and their friendships are tested when they get pushed to produce another hit game. Watto becomes addicted to collecting things. Ewan decides to give an employee a £20k bonus to prove to her that he IS a co-founder, resulting in him having to do the same for this entire team after they find out. Leon, eager to show his teachers he amounted to something, buys a helicopter. And Josh… well, he’s open to trying some of the more expensive wines on the menu.

I had fun watching this, but the episodes (with an average 43 minute runtime) did seem a bit long for this type of comedy. If you like the sound of it and enjoy watching some classic British comedy, you won’t be disappointed.

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Back for more: Good Girls (Season 3)

The Breaking Bad meets suburban-housewives dark comedy is back for a third season which takes it in a slightly different direction, although fans of the first two seasons surely won’t be disappointed.

Never a dull moment in the lives of these three.

It looks like everything has gone back to a relative normal for the three working mums following the drama of the last season. Beth is a shop assistant at a greetings cards business who press their own designs. Annie is a shop attendant and moonlights as a valet, bringing in lots of single dollar bills. And Ruby puts up with rude customers at a nail salon.

Hold on a minute. A printing press, lots of dollar bills, and access to solvents… uh oh. The girls haven’t retired from a life of crime, in fact, they’re working on perfecting their fake money printing scheme. Free from the harsh oversight of crime master Rio, they’re looking to run their own illegitimate enterprise. However, as inventive as they are, it doesn’t take long for them to get taken advantage of by the more bone-headed type of criminal.

The show continues its winning formula of heartwarming family issues, quick-witted humour and surreal violence all wrapped up in Breaking Bad style suburban criminality. This season we get to see more of a focus on Ruby’s deteriorating relationship with Stan and her kids, which is interesting as I’d pointed out in my review of Season 2 that we weren’t seeing enough of that family. Sadly I can’t take any credit for the shift as the third season was already airing in the US when I wrote it.

If you like Good Girls and its rather absurd premise, you’ll certainly like the third season. For newcomers, don’t start here. There’s too much backstory you’re missing out on.

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Quickfire round: Trinkets (Season 2)

Much worse than the first one, this final season of the show about an unlikely trio of friends who bond over court-mandated visits to Shoplifters Anonymous was full of terrible writing and sketchy plots. Still, the cast are amazing and the finale was strong.

At the start of the season, the trio walk into school together for the first time.

Trinkets is essentially a story of friendship. Three characters from school (Tabitha, the rich and popular one, Moe, the smart but scatty one, and Elodie, the shy newbie) bump into each other at a meeting of Shoplifters Anonymous. The story is funny but quite emotional – it’s clear that Elodie shoplifts because she misses her recently deceased mother, and Tabitha because her parents are divorced and her boyfriend is physically abusing her. As for Moe, well, that one’s quite the spoiler.

The show’s first season was really quite good. The trio break down the barriers of social interaction between different groups of people in high school and form an unlikely – and mostly secretive – bond. They even get matching tattoos (of a triangle, no less). They help each other overcome their problems of relationships or abuse or loneliness, with plenty of shoplifting along the way.

It all ended with Elodie running away from home to join a singer on tour whom she was clearly enamoured with. The problem with that ending is that they needed her to come back for the second season, so her position gets abruptly reversed. That’s the problem here – many scenes in the show are just… weird. In some scenes, characters make a big deal out of nothing, while other scenes there seems to be a set up for bigger drama down the road only for that story arc to fizzle out into nothing.

The cast make the most of the bad writing and you do feel invested in the characters themselves, it’s just a shame that the shoddy writing cuts through and is more noticeable than in other shows I have seen this year, and certainly more so than in the previous season.

So, although I was ultimately enough of a fan to binge the second season, I can’t say I particularly recommend Trinkets to anyone who doesn’t feel immediately captivated by the synopsis.

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What I thought about: Teenage Bounty Hunters

This show about, well, bounty hunters who happen to be teenagers, has the same energy as Netflix’s Insatiable. That is to say, it’s random, doesn’t make sense, and is probably, technically, not a very good show. And yet, somehow, being drawn so much to the characters makes me want a sequel.

Looking far too happy, given the situation

What’s it about?
Actually, you know what? The title is misleading. The trailer even more so. I was led to believe that the show would start out with the main characters – twin sisters Sterling and Blair – already being seasoned bounty hunters. Instead, they stumble into the world of bounty hunting by virtue of being white, living in Atlanta, and thereby knowing how to shoot a gun. The girls help a stereotypical ‘old, tired, wise, and fed up’ character, Bowser, apprehend a bail skip.

They split the cash with Bowser but beg him for more work to pay for repairs to their Dad’s truck which they wrecked earlier on. I would like to say that the rest of the show sees the twins in various scenarios hunting down bail skips with a great deal of comedic violence, but bounty hunting is only about 30% of this show. The rest of the screen time is dedicated to the girls’ relationship issues with both their partners and their family, including an incredibly shaky family-secret plot that really doesn’t stack up.

What do I like about it?
The chemistry between the twins is fantastic (the actors are not actually related IRL) and despite the weird, disappointing, plot, you can’t help but be drawn to them. It is also funny in parts, and I suppose I have to give credit to the show’s creator for shining a light on the weird little part of society that is hyper-religious upper middle class Atlanta, not something you really see in television.

What do I not like about it?
Pretty much everything else. Like I said, the plot just doesn’t work. It’s too absurd in some ways, and too serious in others. There’s no equilibrium. The trailer also massively oversells the content of the show – I can count on one hand the number of bail skips they actually apprehend. Too much of the plot is mired in this bizarrely fake-feeling emotional turmoil experienced by the twins and their peers at school.

And don’t even get me started on the series finale. The writers kept everything so incredibly coy up until the final episode that the number of twists and turns occurring in it don’t have nearly as much satisfaction as they would if they were paced correctly throughout the show.

Worth a watch?
I know the show has some important undertones for some people, and there’s a lot of hype on social media for it. Unfortunately, from a technical standpoint, I just can’t recommend it. The story ruins it, the trailer massively oversells it.

By the way…

  • The show was going to be called Slutty Teenage Bounty Hunters, which would have served basically no purpose
  • There’s a lot of Christianity in this show and honestly it’s just weird in 2020

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