Quickfire round: Yes, God, Yes

I really didn’t get this film. A sexually curious girl attending a strict catholic school navigates a challenging few days at its Kirkos retreat, and discovers that basically everyone is a hypocrite.

A common reaction to the contents of an internet chat room

That’s it. Like, that’s the movie. It’s basically any other coming-of-age film except slower and daintier. The acting was fine, but I just don’t see how it garnered the critical praise it did. Maybe I’m not American (or Christian) enough to understand what makes this such a great watch.

So, a bit more plot. Our main character is Alice, and she’s kinda lonely. She has a best friend, but relationships with others at her school are tense because she’s been accused of sneaking off with someone else’s boyfriend to toss the salad. She doesn’t know what that means, and neither did I before I googled it (suggestion: do not google it).

It’s the summer of 2000, which means beige CRT monitors, AOL, and public chatrooms. Alice asks the chatroom for their wisdom and in return they bombard her with ‘A/S/L?’ and various other sexual advances. Confused and alone, she decides to sign up to the school’s Kirkos retreat, a 3-day residential ran by Father Murphy. Honestly, the retreat is total bullshit. Alice is asked to fill in a questionnaire about her ‘feelings’, which get scrutinised towards the end of the retreat if they are a little too sexually freeing.

Alice soon discovers this for herself as she sees the camp mentors engaging in sexual activity (outside of marriage: oh the horror!) and even Father Murphy himself viewing an adult video on the office computer.

This is all fair enough, but it’s also very pedestrian. I don’t even think the turning point in the film, where Alice runs away from the retreat and tries to get served at a roadside bar, was any good at all. All of a sudden, with the words of a complete stranger, she learns to have a different outlook on life? Okay.

But, like I said, I probably just didn’t get it. Perhaps there are metaphors in here that make more sense if you’re a Catholic Christian who went through the same sort of things. As it stands, I am none of those things and so this mostly felt like a waste of time.

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Quickfire round: Spree

A decent B-movie, this black comedy horror film manages to communicate some kind of actual message hidden amongst the surreal violence taking place on screen.

A totally normal thing to do as a rideshare driver is to make a peace sign as your customer dies behind you

Social media stars are all the rage these days. But how far would you go for a little attention and following online? For Kurt Kunkle (Instagram: KurtsWorld96), there’s practically no limit. Fed up of posting videos for years without much success in the online fame department, Kurt suddenly comes up with a plan to produce some of the hottest content on the internet.

If you had ‘rideshare killing spree’ on your list of ideas to try to become famous on social media, you’ll have to take it off that list as Kurt Kunkle is the all time champion. Kurt is a self-employed driver for Spree, (essentially Uber). He’s rigged his car with about 8 different cameras to showcase every single angle as he streams. Such is the indifference of his customers, half of them don’t notice the cameras and the other half are perfectly fine with them after Kurt offers a brief little explanation.

At this point, Kurt’s stream only has one viewer. A kid he used to babysit, Bobby, who has a much larger following online than Kurt (and who produces the sort of crass prank content you’d find in the real world from Joey Salads and Jake Paul.) “Help yourself to a water” offers Kurt. The passenger duly obliges. Moments later, they start to feel sick and eventually, we assume, they die completely. Poisoned by the contents of the water bottle that Kurt painstakingly covered to make it look brand new (be sure to check out the how-to guide on his YouTube channel). This is Kurt’s primary murder weapon for his spree, but as things start to escalate later on in the movie we see the body count rack up in different ways, too.

Overall, I can’t say much more than that it’s a decent B-movie. Don’t expect anything amazing, but do expect to see some decent creepy-guy acting from Stranger Things’ Joe Keery, and perhaps give a thought to the hundreds of thousands of small-time content creators like Kurt (but hopefully much less homicidal) who are just trying to make it out there.

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What I thought about: Big Mouth (Season 4)

The latest season of this adult cartoon continues to explore important themes of life with its usual grotesque flair – but the storytelling is less tight this time around.

Andrew (middle) has a unique fashion sense, and he won’t heed to any criticism of it

What’s it about?
Big Mouth is an adult cartoon set around a group of high school freshmen. They’re beginning their puberty journey, and learning to cope with everything that comes with it. The characters are hugely exaggerated and yet somewhat relatable.

Each of the kids have a hormone monster, an invisible creature only they can see. Sort of like fairy godmother, they talk to them and guide them through this stage of their life. I think they are supposed to be a manifestation of their hormones rather than an actual, individualised character – but either way they add so much colour to the show.

What do I like about it?
The personification of thoughts and emotions is perfect. We have the hormone monsters, of course, whom you might say are the stars of the show. But there’s also The Shame Wizard, a scraggy looking British wizard who pops up whenever you do something shameful – which for Andrew is basically all the time.

New to Season 4 is the Anxiety Mosquito and I have to commend the writers for the choice of animal because a mosquito is a perfect representation of anxiety. There can be more than one. They don’t go away when you flail and try to swat them. They question what you’re doing and shout at you when something goes wrong. As someone who went through this year’s summer with a lot of anxiety, I thought the portrayal was brilliant.

The voice acting is also on point, and somehow being able to tell which voice actor is voicing multiple characters just makes it funnier.

What do I not like about it?
Usually I love the show and it’s a consistent ten out of ten. This time around though, I didn’t think it was quite as good as before. I think it’s down to the way the stories were told. Characters had much more individualised storylines that didn’t often intersect. It was a departure from the ‘we’re all in this together’ class-sized story of previous seasons. While I do understand why this was the case (as you go through puberty and discover more about yourself, you naturally diverge from where you and your peers all began) it did just make this season a little less enjoyable.

Worth a watch?
Yes, but definitely start from the beginning and try to not take the toilet humour too seriously.

By the way…

  • One of my favourite characters, Missy, changes voice near the end as she has bene recast to be voiced by a black woman, which should have happened in the first place
  • Netflix has renewed the show all the way up to Season 6, which I was really happy about

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What I thought about: You Me Her (Seasons 1-3.5)

Any interest I had in this show unfortunately fizzled out at the beginning of Season 4. Characters became annoying, the plot wore thin, and the initial intrigue I had in the show’s premise simply faded away. I’ll try and unpick my thoughts here.

I had a hard time thinking Jack’s smile was ever sincere.

What’s it about?
Married couple Jack and Emma have pretty successful careers and live in the rich and fancy suburbs of Portland, Oregon. The one thing they don’t have is a sex life. After a series of increasingly tense couples therapy sessions, Jack’s brother offers some advice: go and see an escort, and you’ll have such a good time it’ll reignite something in your own sex life.

Enter Izzie, a grad student who escorts in her spare time. Jack backs out of the session before anything serious happens, but his guilt gets the better of him and he immediately confesses to Emma. Understandably pissed, Emma arranges to met Izzie as a customer, planning on exposing her and telling her to keep the hell away from Jack. Instead, uh, they end up making out. Long story short, the couple are both infatuated with Izzie and form a polyamorous relationship.

What do I like about it?
You can’t help but be intrigued by the plot here, right? Their unusual relationship situation (not to mention the fact that Izzie is quite a bit younger than them) is a poor fit for their socially conservative professional lives, and the first couple of seasons sees Jack and Emma flip-flopping over whether to commit fully to the relationship, which at times is an emotional watch.

I also really liked the side characters. Emma’s best friend Carmen and her husband Dave are particular stand-outs, as is Izzie’s room mate and fellow escort Nina. The supporting cast really helps tie the show together and I think are a big part of what kept me invested in the show for so long.

What do I not like about it?
Unfortunately, the supporting cast’s magic eventually runs out and you start to realise how boring the main characters became, or perhaps how boring they always were. Despite claiming to be fully committed to the three-way relationship, the show is fully of petty and often bizarre fall-outs between them. Characters change their minds on a whim. Emma, who essentially comes out as bisexual in the first season, ditches the throuple for a full-blown lesbian relationship at the end of Season 2. By Season 4, she’s basically the most annoying character in the show.

Put simply, it lost its polish.

Worth a watch?
No. Not because the idea is bad – but because, if you’re a completionist like I usually am, you’ll find the latter seasons a real grind.

By the way…

  • It says a lot that, when writing this review, I had to Google Jack and Emma’s names, but not Carmen or Dave’s.
  • I like how, on Wikipedia, episode synopses for the show stop at the beginning of Season 3. Seems like I’m not the only one who gave up on this show.

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Quickfire round: Love and Anarchy

This quirky Swedish show – ostensibly a workplace comedy romance – was an intriguing watch and ended up having a much deeper emotional side to it than the trailer would suggest. It won’t be for everyone, though.

The lipstick is a token for their dares.

Married mother-of-two Sofie is called in to a small publishing house in Stockholm to help them restructure as they struggle in a tough marketplace. Sofie is good at her job, but must be having trouble with her husband because, in the first few minutes of Episode 1, she’s masturbating in the family bathroom before work. After a long day at the office, she does the same thing, this time at her desk. Enter Max – no, literally, he enters the building to carry on with his IT construction work, having been sent home by Sofie earlier in the day for making too much noise. Max quickly gets his revenge by snapping a photo of Sofie doing her thing, and the next day turns up to work with a renewed sense of power.

“How much do you want?” Sofie asks, keen to have the video deleted. “I just want you to take me out for lunch”, says Max (character building earlier in the episode shows us that Max, many years younger than Sofie, has a thing for older women). And so out they go. Max hands over his phone for Sofie to delete the photo, but she then refuses to hand it back. “You made me do something, now you need to do something to earn this back”, she says, “do something outrageous at the office”.

And so begins a pretty hilarious game of workplace dares between Sofie and Max.

What I loved about this show was the setting. Everyone else at the publishing house are just trying their best to keep going, but still manage to be funny in their own right. Friedrich is an old stalwart of the publishing world whose older, male, clientele occasionally clash with Denise’s younger and more liberal authors. At one point Friedrich, following a series of failures (one of which is at the hands Sofie’s dare to Max), goes to an Ayahuasca retreat to treat and find his true self. You can imagine how that went.

Towards the end, the show reveals a sort of underlying purpose. We learned earlier that Sofie’s father, a staunch communist, is sometimes mentally unstable. Although her willingness to participate in Max’s escalating dares is perhaps an indication that Sofie might be suffering a similar ailment, it’s not until she literally hisses at her husband, animal-like, that we can be sure of it. You could also say that Max, feeling the pressure from his spiteful mother and stepfather, also loses it when he poses completely nude for a family photo. (This is also a good time to mention that there is full frontal nudity in this show.)

A short, charming, crazy show that’s absolutely best watched in its original language with subtitles, I really quite liked it.

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Quickfire round: The Babysitter: Killer Queen

This movie would probably have made more sense if I knew it was a sequel and watched the original before diving into it. Oh well, it was still entertaining. Read on for some spoilers.

The shirtless demon is just funny, every single time you see it.

The movie follows on a few years after the events of the first. Put simply, our hero Cole’s babysitter turned out to be a psycho demon who needed to complete a ritual in order to pay her debt to the devil and achieve her dreams. Long story (and actual movie, which I suggest you go and watch first) short, his parents return to see a car embedded in their house and their son trying (and failing) to convince anyone about what had really happened that night.

Having discovered that his parents want to send him away to rehab for his ‘delusions’, Cole skips school with childhood friend Melanie and boards a party boat with her friends. Splat! One of the group is violently murdered in front of him. That’s right, it’s happening again. In fact, there’s double the demon in this movie as the original cast are back for revenge and to finish what they started.

And so commences what I imagine was quite similar to the first movie: Cole escapes and somehow, Home Alone-style, he manages to take out the demons one by one. It’s violent and bloody but also funny – the movie doesn’t take itself too seriously (I don’t think anyone is convinced about the underlying plot, not even the writers) and overall is a good watch for something with Halloween vibe that won’t absolutely terrify you. Yes, it has teen movie tropes (‘Kid, you just need to get laid!’ is the suggestion of his therapist) but some elements are funny in their own right, like Max, a demon who is inexplicably shirtless the entire time, just because.

The movie does half-hearted attempt at misdirecting the viewer into thinking that new girl Phoebe will end up being a baddie, not least because she sticks out like a sore thumb and opens her locker to a message of ‘it ends tonight’. I must admit that, even deep into the runtime, I still had my doubts about her. The way things panned out, however, I think that was more just me overthinking it than intentional writing.

If you haven’t seen the first movie you should probably watch that so the plot makes a bit more sense, but either way this movie hit the mark. Nothing exciting, nothing game-changing, just good (messy) fun.

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Quickfire round: Borat Subsequent Movie Film

What is America like in 2020? Actually, no, don’t answer that. I want to be able to sleep tonight. Instead, let Borat answer it for you, as he presents his latest documentary, journalling his delivery of prodigious bribe to American regime for make benefit once glorious nation of Kazakhstan.

One of the most uncomfortable scenes I have ever watched.

I have never actually seen the original Borat movie. I admire Sacha Baron Cohen’s skill as a comedian and writer, but I do find some of his character’s presentation a little unnecessarily exaggerated. So when I watched this film, I had to filter out the subtle humour (some of which is particularly excellent) from the more in-your-face absurdity shown by Borat (and his daughter). This requires filtering out about half of the film, which means I can’t really give it more than half-marks.

Borat, apparently ridiculed in his home nation of Kazakhstan due to the events of the first film, is sent back to the US by his glorious leader to provide a tainted gift to a US Vice President Mike Pence (a porn star monkey, if you must know). The plan is somewhat ruined when, in place of the monkey, his daughter shows up instead.

I should explain that this film is a sort of mix between reality and acting. It reminds me of Nathan For You (review coming… eventually), whereby an exaggerated character engages with real-world people who are slightly more willing to accept the character’s absurdity by the mere fact that the cameras are rolling and they signed a release form. So, we see Borat interact with a cross-section of American society, from plastic surgeons and bakery owners, to babysitters and extreme Trump supporters. Oh, and yes, Rudy Giuliani, who doesn’t come out of the movie looking particularly good.

Okay, so – what do you want me to say? Was the film any good? Well, like I said, I can only give it half marks. It was funny and it was cringey and some of the stuff he did was quite impressive. But it was also obscene and cringey and some of the stuff he did was unnecessary. I watched it because it’s current and I can talk to people about it. I certainly wouldn’t watch it for fun.

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What I thought about: Emily in Paris

A charming comedy romance with breathtaking views of Paris, I was really enjoying this one up until its somewhat chaotic end, whereupon it suddenly felt, well, a bit of a sausage fest. I hope a second season, if there is one, focuses more on Emily’s marketing prowess.

Of course her phone case looks like a camera. It’s so _ringarde_!

What’s it about?
Emily is a young but successful marketing executive from Chicago. The company she works for recently acquired a boutique marketing agency in Paris – Savoir – which her senior colleague was due to be seconded to. Said colleague falls pregnant and Emily, who doesn’t speak a word of French, offers to go in her place.

When she arrives in Paris, she’s treated to quite the culture – and language – shock. Receiving a less than friendly welcome from her boss and metaphorical dinosaur of the marketing industry, Emily tries her best to remain upbeat by pulling off a number of successful marketing stunts and blogging her journey on Instagram, where she quickly racks up a decent following.

Being so good(looking) at her job does grab the attention of a number of male clients, including a perfumer, fashion house boss, and vineyard heir. Here’s the chick flick element – Emily has to carefully navigate the sex-infested waters of Paris to figure out her true love.

What do I like about it?
Emily is a well-written character portrayed fantastically well by Lily Collins. She is resourceful, smart, quick-thinking, and career-driven. I felt inspired watching this, and I’m a male lawyer. I can’t imagine what it might do for those more closely aligned to Emily and her career path. Also, the wardrobe department pulled off some simply amazing looks. Emily is a fashion icon in her own right.

Seeing Emily settle into Parisian life, struggling at first but slowly improving her language and grasp of the culture, was a joy to watch and included several genuinely laugh-out-loud funny moments. The show’s gotten flack for stereotyping the French, but I’d have thought the majority-French cast would have pointed out if the writers were being too cruel.

And if you’re wondering, the male love interests are, to borrow a word from a friend who’s also seen the show, ‘fit’. Make of that what you will.

What do I not like about it?
Emily’s skill and endless optimism gets somewhat sidelined in the second half of the season and relationships become increasingly complicated. This culminates in a final episode that literally felt as though she was being passed around by the male love interests. It’s hard to explain, but it was quite off-putting.

Worth a watch?
It’s not a must-see, but if the premise sings to you, sit back and take in the 4K views of Paris as the story unfolds.

By the way…

  • I found it funny that Emily’s American boyfriend is literally subtitled as ‘Boyfriend’. They didn’t even give him a name!
  • I alluded to it above but I can’t stress enough – the scenes were so brilliantly shot. Try and watch in Dolby Vision if you can.

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Quickfire round: Loaded

Four life-long friends become millionaires overnight as the closing money comes in from the sale of their gaming business. Unable to handle their new found wealth, and facing pressure from their new US mega-corp owners to make a soulless sequel of their hit game Cat Factory, hilarity (and woe) ensues.

Leon coaxes the group onto his privet yacht to get them to concentrate on their new game

This show was cancelled in 2017 after one season and, if you check the cast’s biographies online, it’s hardly mentioned as one of their top appearances. I can’t think why, as I really enjoyed it. Don’t be mistaken – it’s nothing like Mythic Quest, which sees day to day game development issues and is surprisingly good insight into the industry. The actual game development process takes a back seat in this show and instead we see how the four characters handle their wealth and relationships with family, friends, their new boss and, ultimately, each other.

There’s Ewan, a posh, gay programmer whom most people don’t know is a co-founder at the developer, Idyl Hands, because he’s always asked not to appear in photo shoots by Leon, who technically doesn’t do any work as he’s not a coder or an artist, but more a product evangelist. Watto, a recovering alcoholic and artist, appears perhaps least deserving of the £9.2 million each co-founder received in the deal (plus £26m in stock options). Finally there’s Josh, a nervous, nagging, woke guy who is obsessive and jealous about his girlfriend.

They each handle the money differently and their friendships are tested when they get pushed to produce another hit game. Watto becomes addicted to collecting things. Ewan decides to give an employee a £20k bonus to prove to her that he IS a co-founder, resulting in him having to do the same for this entire team after they find out. Leon, eager to show his teachers he amounted to something, buys a helicopter. And Josh… well, he’s open to trying some of the more expensive wines on the menu.

I had fun watching this, but the episodes (with an average 43 minute runtime) did seem a bit long for this type of comedy. If you like the sound of it and enjoy watching some classic British comedy, you won’t be disappointed.

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Back for more: Good Girls (Season 3)

The Breaking Bad meets suburban-housewives dark comedy is back for a third season which takes it in a slightly different direction, although fans of the first two seasons surely won’t be disappointed.

Never a dull moment in the lives of these three.

It looks like everything has gone back to a relative normal for the three working mums following the drama of the last season. Beth is a shop assistant at a greetings cards business who press their own designs. Annie is a shop attendant and moonlights as a valet, bringing in lots of single dollar bills. And Ruby puts up with rude customers at a nail salon.

Hold on a minute. A printing press, lots of dollar bills, and access to solvents… uh oh. The girls haven’t retired from a life of crime, in fact, they’re working on perfecting their fake money printing scheme. Free from the harsh oversight of crime master Rio, they’re looking to run their own illegitimate enterprise. However, as inventive as they are, it doesn’t take long for them to get taken advantage of by the more bone-headed type of criminal.

The show continues its winning formula of heartwarming family issues, quick-witted humour and surreal violence all wrapped up in Breaking Bad style suburban criminality. This season we get to see more of a focus on Ruby’s deteriorating relationship with Stan and her kids, which is interesting as I’d pointed out in my review of Season 2 that we weren’t seeing enough of that family. Sadly I can’t take any credit for the shift as the third season was already airing in the US when I wrote it.

If you like Good Girls and its rather absurd premise, you’ll certainly like the third season. For newcomers, don’t start here. There’s too much backstory you’re missing out on.

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