This quirky Swedish show – ostensibly a workplace comedy romance – was an intriguing watch and ended up having a much deeper emotional side to it than the trailer would suggest. It won’t be for everyone, though.
Married mother-of-two Sofie is called in to a small publishing house in Stockholm to help them restructure as they struggle in a tough marketplace. Sofie is good at her job, but must be having trouble with her husband because, in the first few minutes of Episode 1, she’s masturbating in the family bathroom before work. After a long day at the office, she does the same thing, this time at her desk. Enter Max – no, literally, he enters the building to carry on with his IT construction work, having been sent home by Sofie earlier in the day for making too much noise. Max quickly gets his revenge by snapping a photo of Sofie doing her thing, and the next day turns up to work with a renewed sense of power.
“How much do you want?” Sofie asks, keen to have the video deleted. “I just want you to take me out for lunch”, says Max (character building earlier in the episode shows us that Max, many years younger than Sofie, has a thing for older women). And so out they go. Max hands over his phone for Sofie to delete the photo, but she then refuses to hand it back. “You made me do something, now you need to do something to earn this back”, she says, “do something outrageous at the office”.
And so begins a pretty hilarious game of workplace dares between Sofie and Max.
What I loved about this show was the setting. Everyone else at the publishing house are just trying their best to keep going, but still manage to be funny in their own right. Friedrich is an old stalwart of the publishing world whose older, male, clientele occasionally clash with Denise’s younger and more liberal authors. At one point Friedrich, following a series of failures (one of which is at the hands Sofie’s dare to Max), goes to an Ayahuasca retreat to treat and find his true self. You can imagine how that went.
Towards the end, the show reveals a sort of underlying purpose. We learned earlier that Sofie’s father, a staunch communist, is sometimes mentally unstable. Although her willingness to participate in Max’s escalating dares is perhaps an indication that Sofie might be suffering a similar ailment, it’s not until she literally hisses at her husband, animal-like, that we can be sure of it. You could also say that Max, feeling the pressure from his spiteful mother and stepfather, also loses it when he poses completely nude for a family photo. (This is also a good time to mention that there is full frontal nudity in this show.)
A short, charming, crazy show that’s absolutely best watched in its original language with subtitles, I really quite liked it.