I am simply not smart enough to understand the plot. This Spanish thriller starts off with a bang, but its twists morph it into something that, right to the very end, had me scratching my head.
What’s it about?
Victor Genovés, an executive at media conglomerate the Malvar Group, has recently become the company president after being named heir to the late owner’s fortune in his will. Shortly after, he receives a letter at his office, closed with a traditional wax seal. It’s from the Minions of Midas or Los favoritos de Midas, a shadowy group who want to engage in a business transaction with Victor. That’s a very polite way of putting it – for in reality they are extorting him to the tune of 50 million euros. The consequence if he doesn’t pay? A stranger will die – and they give an exact time and place for the murder.
Like any self-respecting millionaire, Victor is a little spooked by the letter but ultimately ignores it. Sure enough, a woman is killed in a hit and run at the exact time and place specified in the letter. Unlike any self-respecting millionaire, however, he refuses to cut the loss-making Observer newspaper from the Malvar Group. This upsets the board of directors and they assemble enough votes to ditch him – that is, until another letter from the Minions shows up. “We have some information that can help you keep your position in the company,” they say, “remember, your gain is our gain”.
What do I like about it?
The first half makes for a great thriller. The police scramble to hunt down the Minions as, every five days, exactly where promised, another seemingly random stranger is killed. It’s also mind-bending at times – some of the murders are arguably not caused by the Minions at all but rather by the police themselves and the hysteria invoked by the shadowy organisation.
The other events of the show are also pretty good – and pretty bleak. Victor’s love interest, Observer journalist Mónica Báez, uncovers the Bank of Madrid’s shameful financing of the Syrian regime, and there are mass protests verging into riots across Spain moments before they are due to host the European Summit. The polarisation of Victor’s penthouse apartment and the rioters below him make for a stark image of class divide, and tie in somewhat well into the extortion plot.
What do I not like about it?
This is probably just me but… I didn’t get it? I don’t want to spoil the plot but, towards the end, Victor changes how he reacts to the Minions and makes decisions which are unlike his character in the first half of the show. I just can’t quite work out what it all means – and I’m one of those people who longs for at least some kind of closure.
Worth a watch?
Probably not, unless you like the idea of it. Not to sound weird or anything but there wasn’t a lot of death and violence in it to make up for the slow parts.
By the way…
- There is some nudity.
- This is a limited series – it ain’t coming back.