When is a comedy not a comedy? How relatable should it be, if it doesn’t make us laugh out loud? This cute little show about a couple in their 30s navigating the adoption system is sometimes funny, sometimes heartwarming, but never large doses of either.
What’s it about?
Jason and Nikki are 30-somethings living in Camden, London. They’ve just failed a round of IVF and have been told the prospects of any subsequent rounds succeeding are poor. Not wanting to miss out on the ‘joys’ of having children, as all their friends are now doing, they apply to adopt. The show follows their progress, as well as touching lightly on the lives of their friends and family. Nikki’s older sister is dating a jobless ‘creative thinker’ type, Jason’s best friend has just had his second child and isn’t taking it well. Meanwhile, Nikki’s Tinder-equipped younger colleague is there to remind her of her lost youth.
What do I like about it?
There are some funny moments in this one. Jason is a natural joker, and often comes out with the best lines in the show. I also really liked the small montages at the end of each episode where we see just a few seconds into the life of some of the more minor characters in the show, such as Jason’s boss Googling for things to do in Geneva after quitting her job, and their social worker cleaning her jacket at the laundrette (I won’t spoil why). Speaking of the social worker, it’s a stand-out performance from Imelda Staunton, nicely capturing the well-intentioned scatty-ness of the character.
What do I not like about it?
Sweet as it is, I have a number of concerns with this show. I’m not sure how relatable it’s going to be to many people. They’re a young couple living in central London – one might dismiss them as stereotypical Millennials. I feel as though the show is going to appeal mostly to young adults with kids, or young adults living in London looking to get kids. For everyone else, I worry they won’t see what the point of the show is at all. It’s certainly not funny enough to stand out as a comedy in its own right.
There are random bits and pieces that I think are supposed to have some kind of meaning, like Jason’s meeting with his ex, but either they are scripted poorly or they just don’t go far enough, because I didn’t get the point. Many of the show’s elements, from the couple’s parents to their day at the approval panel, lack sufficient context or depth, and it affects the flow of the show.
One thing I really disliked is the strange blur/aberration at the top and bottom of the screen in most of the shots. Sometimes there’s also a fish-eye lens effect going on. I suppose it was a creative choice, but to me it was an unnecessary and unsightly distraction.
Worth a watch?
Watch the trailer, and don’t set your hopes any higher than the impression it gives you. Still interested? Then go for it, it’s nice. Otherwise, no need.
By the way…
- A cameo from The Mash Report‘s Rachel Parris was a surprise.
- This is the first British show to come out of Apple TV+. More, please!