Slightly less captivating than the first season, this show about mysteries which remain – literally – unsolved to this day, still managed to keep me hooked for long enough to recommend it.
A body found in a landfill – how did it get there? We still don’t know for sure.
The first season kicked off with a genuinely eerie mystery – a man found lodged in the roof of a hotel building, having seemingly fallen through it from a great height. Season 2 kicks off in similar fashion with the discovery of a body in a landfill site. Former White House aide Jack Wheeler showed up there after a short disappearance following calls of a disturbance near his house. We see lots of CCTV footage of Jack’s last hours, where he looks agitated and confused, which raises plenty of questions aside from the apparent murder.
For the rest of the episodes, we swap out last season’s broad theme of ‘injustice’ (recalling the murder of a black man at a house party in a highly conservative town) with one of sheer mystery, as we learn about abduction of two different toddlers from the same New York City park – just three months apart. Absolutely mortifying.
Another one for the mystery fans – and one that makes for really good book material – is the unexplained death of a woman in a hotel room in Norway. This was probably my favourite of the series. For starters, we don’t ever find out the woman’s identity, let alone how or why she died. But the story of how they tried to answer these questions is fascinating and a real treat for mystery fans. Of course, it is also grossly tragic – and one must remember that these are real cases with real people waiting on the end of a phone line to hear from viewers who may have information that can lead to the case being solved.
There is also, like last season, a paranormal episode, this time involving ‘spirits’ said to have appeared after the devastating earthquake and tsunami in Japan. I gave this one a miss, as I usually don’t do paranormal stuff where it is represented as fact.
Overall, whilst I wasn’t quite as captivated by the mysteries from the first season, viewers who enjoyed that one will no doubt enjoy this one as well.
Despite its forgettable title (is it American Family: The Murder Nextdoor? Or America Nextdoor: The Family Murder? Neither!) this documentary uses incredible original footage to tell the chilling story of how, and why, Shannan Watts and her two children were cruelly murdered.
I’ll start off by saying that this documentary shows how far we’ve come with technology in our society that it is able to tell the story in such a coherent manner with absolutely no voice-over and only first-hand footage (from police body cams and interview rooms, neighbours, news crews, text messages, and Shannan herself).
This method of telling the story makes it all the more terrifying. We start out with police body cam footage – after Shannan’s friend and colleague called the police, concerned for her whereabouts as she wasn’t responding to texts. The footage – otherwise entirely routine – immediately captures a scene of confusion and mystery as Shannan – and her two young children – are nowhere to be seen. Her phone is there and switched off, but the children’s blankets are gone. Her husband, Chris Watts, raced back from work at a remote oil well, and seems distracted as he speaks to officers about the last time he saw his wife alive and who – or where – she could have gone to.
Incredibly, the documentary also features Shannan herself. She was a prolific Facebook user, recording and posting footage of family moments almost daily. What a juxtaposition these happy videos of her and her husband are to the text messages she was exchanging with her friends and colleagues shortly before her death – telling a story of how her husband had become distant and uninterested in her.
I think I know what makes the documentary so gripping. The Facebook videos and text messages are all pre-death, of course. And the police footage is post-death. We therefore see the story unravel from two perspectives – Shannan’s, as she hurtles towards her murder, and the police, as they piece everything together. Everything is revealed in sync with each other – the text messages become more surreal and desperate as the police interviews become more dramatic and revealing. It’s great storytelling, if incredibly tragic.
If you like true crime, you absolutely don’t want to miss this.
We all love a good mystery, although most of us desire the satisfaction of having the mystery solved by the end of the episode. Thankfully, despite being deprived of it here, Unsolved Mysteries still manages to be an enticing watch.
Although there is one episode on a massively-corroborated UFO sighting, the rest of the show’s episodes cover murders. First, we hear about the story of a recently married man who goes missing and is found dead days later in an abandoned hotel building, having seemingly gone straight through the metal and wood roof, a feat that would have required jumping from an extreme height. However, nobody can work out a convincing-enough theory as to where he would have jumped from to end up there. I found this one to be the most sinister of the entire series because of the victim’s relations to a shady businessman who refused to cooperate with police and the documentary.
I like that one episode is entirely in French, covering the well publicised murders of the entire Dupont de Ligonnès aristocrat family (well, everyone other than the father). This episode is probably the most horrific, but you’ll eventually learn that what happened to the family is not so much of a mystery as some of the other episodes in the show.
I won’t spoil the rest, but I implore you to watch them. Each episode is well made, with reconstructions and archive footage interspersed with current-day interviews featuring relatives and officials who worked on the unsolved cases at the time. There’s no central narration, just a careful telling of the story all the way through.